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Traci Brant
Interim Director of Marketing
tbrant@uchicago.edu or (773) 702-7242
Dawn Helsing
Executive Director
dhelsing@uchicago.edu or (773) 702-3113
Court Theatre 5535
S. Ellis Ave.
Chicago, IL 60637
TOM STOPPARD’S TIME JUMPING ARCADIA
TO HEAT UP THE COURT THEATRE STAGE
May 3 – June 3, 2007
CHICAGO, April 12, 2007 — Artistic director Charles
Newell brings Tom Stoppard’s ARCADIA to Court Theatre in
a passionate production that will smolder in the intimate space of Court’s
Ableson Auditorium. In the tradition of Court's wildly popular productions
of Travesties and The Invention of Love, Newell again
brings the seductive wit of Oscar and Tony award-winner Stoppard to life
on the Court stage with the playwright’s lush, century spanning
masterpiece.
Previews of ARCADIA begin Thursday, May 3, 2007. Press opening
is Saturday, May 12 at 8 pm. Tickets to ARCADIA range from $28-54
and are on sale now at the Court Theatre Box Office, (773) 753-4472, and
online at www.CourtTheatre.org. Performances continue Wednesdays through
Sundays until June 3, 2007 in Court Theatre's 251-seat Ableson Auditorium,
located at 5535 S. Ellis Ave., in Hyde Park on the University of Chicago
Campus. The preview run will feature post-show discussions with director
Charles Newell and members of the artistic staff. The production is made
possible in part by generous support from Nuveen Investments and the Elizabeth
F. Cheney Foundation.
ARCADIA unfolds as a time-traveling detective
story, jumping deftly between 1809 and 1989, as the same English country
house is descended upon in both past and present by an unlikely combination
of characters. As the modern-day scholars seek to unravel the mysterious
events of two centuries before, echoes of the past begin to appear in
the present. From the seeming disarray of trysts, scandals, discoveries,
and chance meetings a startling pattern emerges that interconnects and
encompasses past and present, academics and aristocrats, poets and professors
in a web of ideas, ambition, and passion.
Court Theatre's production is helmed by acclaimed artistic director Charles
Newell, recently described by the Chicago Tribune as “one of this
city’s most significant artistic assets.” Newell’s production
will seduce audiences with a staging where the logical gives way to the
sensual, revealing how, in the seemingly disorganized convergence of physics,
gardening, poetry, and chaos theory, there exists the common thread of
that most simple and powerful force of organized chaos — desire.
The production features a superb cast of top Chicago talent
including Kate Fry, Raymond Fox, Mary Beth Fisher, Kevin McKillip, Jonathan
Eliot, Grant Goodman, Erik Hellman, Dominic Green, Cassandra Bissell,
Bethany Caputo, and Gregory Anderson.
ARCADIA first opened at the Royal National Theatre
in London on April 13, 1993, and went on to win the 1993 Olivier Award
for Best Play and the 1995 New York Drama Critics Award. The Broadway
production opened in March 1995 at the Vivian Beaumont Theatre and was
nominated for the Tony Award for Best Play.
Charles Newell (Director/Artistic Director)
has been Artistic Director of Court Theatre since 1994, where he has directed
over 25 productions. He made his Chicago directorial debut in 1993 with
The Triumph of Love, which won the Jefferson Award for Best Production.
Directorial credits at Court include Uncle Vanya, Raisin, The Glass
Menagerie, Man of La Mancha, The Importance of Being Earnest, Travesties,
Who’s Afraid of Virginia Woolf?, Cyrano, Guys and Dolls, James Joyce’s
“The Dead”, Hamlet, Piano, The Invention of Love, The Little
Foxes, The Cherry Orchard, and Nora. Mr. Newell has also
directed at the Guthrie Theatre (Resident Director: The History Cycle,
Cymbeline), Arena Stage, John Houseman's The Acting Company (Staff
Repertory Director), the California and Alabama Shakespeare Festivals,
Juilliard, and New York University. He is the recipient of the 1992 TCG
Alan Schneider Director Award and is a multiple Jeff Award recipient/nominee.
He served on the Board of Directors of Theatre Communications Group, as
well as on several panels for the National Endowment for the Arts. His
opera directing credits include the Lyric Opera of Chicago with Marc Blitzstein’s
Regina, and Rigoletto at Opera Theatre of St. Louis. Most recently, Mr.
Newell traveled to Long Wharf Theatre in New Haven to remount Court's
critically acclaimed production of Man of La Mancha.
The design team for ARCADIA includes Matthew
York (Set), Marcus Stubblefield (Lights), Linda Roethke (Costumes), and
Ray Nardelli and Joshua Horvath (Sound & Original Music).
Matthew York (Set Design) Chicago Credits
include: Writer's Theatre’s Duchess of Malfi, To the
Green Fields Beyond, My Own Stranger, and Butley, Northlight
Theatre’s Chalk Garden, Cat Feet and Talley's Folly,
The Next Theatre’s Adding Machine, Long X-Mas Ride Home, Omnium
Gatherum, Misanthrope, Entertaining Mr. Sloane, and The Incident,
Greasy Joan’s productions of The Nose, Lady from the Sea
and Marisol, Irish Rep, About Face, and Steppenwolf Theatres
young designer program. Other Credits include Madison Rep, Iowa Summer
Rep, Pittsburgh Irish and Classical, Grinnell College, Theatre at the
Center, and Roosevelt University. Matthew's work has received the After
Dark Award and has been nominated for the Jeff Award. Matthew has also
been awarded an Emmy for his work on the Oprah Winfrey Show and has recently
received his third nomination.
Marcus Stubblefield (Lighting Designer/Director
of Production) is thrilled to have his second opportunity to
step out from behind the production management desk and design at Court
Theatre. Previous designs include The Glass Menagerie at Court Theatre,
Shakespeare's All's Well That Ends Well in Los Angeles and Mozart's
Secret Marriage in Houston. Marc has a BA from Rice University and
an MFA in Design and Production Management from UCLA.
Linda Roethke (Costume Design) The Court Theatre credits
include The Romance Cycle, The Dead, The Little Foxes, An Ideal Husband,(Jeff
Award) directed by Charlie Newell, Hay Fever directed by Gary
Griffin, Old Times, directed by Kim Rubinstein, and On the
Verge directed by Susan V. Booth. Recent Chicago credits include
The Clean House directed by Jessica Thebus, (The Goodman Theatre),
Hecuba directed by Patrick Mason (Chicago Shakespeare), Intimate
Apparel directed by Jessica Thebus, I Never Sang for my Father
directed by Anna Shapiro (Steppenwolf Theatre). Linda has also designed
for Chicago's Next Theatre, and Northlight Theatre. Regional credits include
My Fair Lady (Cincinnati Playhouse), Proof , Spinning
into Butter (The Repertory Theatre of St. Louis), Mrs. Warren's
Profession, The Underpants, and Shadowlands, How I Learned to
Drive, and Beast on the Moon (The Alliance Theatre), The
Master Builder and Mary Stuart (American Players Theatre).
Linda is an Associate Professor of Costume Design at Northwestern University.
Ray Nardelli (Sound Design, Original Music)
Past Court credits include Flyin’ West, Man of La Mancha, Endgame,
Who’s Afraid of Virginia Woolf? and Fräulien Else
(which was nominated for a Jeff Award). Ray has composed music and designed
sound at Goodman Theatre, Steppenwolf, Chicago Shakespeare, Northlight
Theatre, Apple Tree, Lookingglass Theatre, Victory Gardens, The Gift Theatre,
Northwestern Theatre, DePaul Theatre, Notre Dame Summer Shakespeare, Meadow
Brook Theatre, Oak Park Festival Theatre, Dolphinback Theatre, American
Girl Theatre, Skylight Opera, and Wright State University Theatre. He
has assistant sound design credits at Goodman, Steppenwolf, Manhattan
Theatre Club and Next Theatre. Ray has recorded, mixed and produced CDs
for the musicals The Sound of One, Hillbilly Antigone and La Luna Muda.
Film credits include Stray Dogs, Pretty Ladies, and Crush.
Ray also teaches sound design at DePaul University. Other work includes
sound and music used on NPR, PBS, NBC’s The Today Show and Jeff
Gorden Racing, a CD-ROM game. Memberships include ASCAP, IATSE #2
and USA #829.
Joshua Horvath (Sound Design, Original Music)
Chicago credits: Goodman, Steppenwolf, Court, Chicago Shakespeare, Northlight,
Next, Congo Square, and Timeline. Regional credits: Madison Rep, Milwaukee
Rep, Milwaukee Shakespeare, The Alley, Kennedy Center, and the Robey Theatre
(LA). Film composition: Stray Dogs and Pretty Ladies: the
Super8explosion. Recent and upcoming shows: Flyin’ West,
Lettice and Lovage (Court Theatre), Richard II (Milwaukee
Shakespeare), Crumbs From The Table of Joy (Goodman), A Number
(Next), and A Raisin in the Sun (Hartford Stage). Joshua has
been nominated for three Joseph Jefferson awards and received one (Electricidad,
Goodman Theatre). Mr. Horvath is a company member of Lookingglass, teaches
sound design at DePaul University, and is co-founder and owner of Aria
Music Designs, LLC.
ARCADIA will be presented May 2 – June
3, 2007 in the intimate, 251-seat Abelson Auditorium of Court Theatre
(5535 S. Ellis Ave., in Hyde Park, on the University of Chicago campus).
Previews run from May 2 to May 11 on Wednesday and Thursday at 7:30 pm;
Friday and Saturday at 8 pm; and Sunday at 2:30 pm and 7:30 pm. Preview
ticket prices are $28 - $34. Press opening is Saturday, May 12, 2007,
at 8:00pm. Regular performances run from May 12, 2007 to June 3, 2007
with the following show times: Wednesday and Thursday at 7:30 pm; Friday
at 8:00 pm; Saturday at 3:00 pm and 8:00 pm; and Sunday at 2:30 pm and
7:30 pm. Regular performance ticket prices are $36 - $54. Groups are welcome
at all performances; discounted rates are available for groups, students
and seniors. Call Diane Osolin at (773) 753-4472 for group discounts.
Limited half-price student rush tickets are available on performance day,
and subject to availability. Free, covered parking is available in the
parking garage just north of the theatre. Call the Court Theatre Box Office,
(773) 753-4472, stop by 5535 S. Ellis Ave., or visit Court online at www.courttheatre.org
for tickets and information.
Court Theatre, recently called “the most consistently
excellent theatre company in America,” by the Wall Street Journal,
is partially supported by a CityArts Program IV grant from the City of
Chicago Department of Cultural Affairs; and the Illinois Arts Council,
a state agency.
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